Chips Writing and Art Contests
October Contest: Terror
Writing Winner: “Dichotomy,” Ashton Dodge
TRIGGER WARNING: ABUSE
Dear Dad,
A parent’s love may know no bounds, but I think my affections outnumber yours. You are the picture of stability; a happy life, a happy home, a happy family. You are a game of catch, fishing, smiling, laughing, dancing. A parent should be many things and you are all of them.
I stand on your feet and you pick them up effortlessly. I’m getting big, but you cast me into the air, far far away. You like to swim laps at the county pool, but I miss you, so I grab onto your back like a pilot fish to a vicious shark. Arms in great arches, splitting the water. I can’t hold on -- you’re slippery with sunscreen -- and am left behind snorting water and giggling. My head slips below the water. You came back for me because that’s what a parent should do.
At night, I bathe with my twin. There is a red plastic boat riding the soapy waves, and it catches both our young eyes. We scuffle in the tub and an accidentally well-placed blow bursts red rivers from my nose. It’s metallic and warm and the tub turns pink like the picturesque hydrangeas along the house. You pick me up, stuff tissues into my hands, caressing and comforting. Only appropriately, because that’s what a parent should do.
I play in the basement. The black and white tiles freeze my bare feet, and they dare not stray near the dark unfinished portion of the basement. There are loud clangs from there, “only the heater, buddy,” so I cook wooden meals for American Girl dolls under fluorescent light. You’re back from your trip overseas, loom down the grand oak stairs to play with me. I don’t like the game we play, because that’s what a parent could do.
Your Son
Art Winner: “Darkness,” Lena Erenfreicht
November: Myth
Writing Winner: “The Myth of Cassandra,” Iris Ghorbani
to be seen and not heard
till you’re heard but not seen
not even a teen
but no one believed
it’s
Don't spoil our fun
Don’t ruin its future
Don’t show me your pain
Don’t rat my abuser
Go cover your scars and
In cinch laugh along,
Be polite and have grace
(But not too in-your-face
Lest it be misconstrued)
And well in that case
Then that is on you
For leading its chase
And don’t come to me when you didn’t say no
When you didn’t fight back
When it took you too slow
To get
What happened to you was so low
And we’ll
Always believe till you’re too young to know
Till they’re in honor roll
Till it’s simply a gag
And you just do not get it
Ignored all the flags
My god
Oh s***
Why didn’t you tell me
When loose lips sink ships
And the enemy’s listening
Cause words are just words
And action’s a crime
If it ticks off those boxes you should be just fine
We’ll guarantee justice but there is a fine
For using your words just a smidge out of line
cause when I scream in my head
and bleed from my eyes
and fail to forget
cassandra is mine
and me and i’m her
and she’s roaring a warning
but they cover their ears
and troy is past burning
i’m learning
that maybe the man that I see
when I gaze in the mirror
who's staring at me
it’s closing the door behind it at gym
it’s making me think of how I repay him
it’s feeding me poison to do what it wants
it’s calling me names waiting for a response
i stop
i breathe and wonder why
it is “believe women” but there’s always a fine
print and
“women” must be trustworthy
they must speak with grandeur can’t be too dirty
these “women” must talk with a perfect rendition
must cry and must march and must write those petitions
cause “women,” you see, well they need a case
you can’t just go ‘round, reputations erased
cassandra was born 1250BC
before inkwells and cameras and male guilty pleas
she lived in an era of morphing to stone
of slithering locks and not saying no
yet she lingers today, mute as she’s been
within all of us, her story common
to abolish her curse we must stoop to their level
do her like they’ve done before
to raze her hex, to vanquish the devil
we turn off the lights, shut the door
we inch closer to her, and draw our blades tight
promising her it’s alright
and truly against our ideal prefer
We take a deep breath
And we kill her.
Art Winner: “Untitled,” by Elliot Wagner-Smith
December: Change
Writing Winner: “An Evening in Greece,” Tate Flicker
I sit next to my brother, who sits next to the girl
who is like my cousin or my sister, or my friend,
and she sits next to my mother,
who is surrounded by my father,
my almost-uncle, my close-enough-to-aunt,
and my might-as-well-be-cousins.
The boy across from me points to his watch,
a grin on his lips along with the taste of moussaka.
“C’est quoi, là?” he asks, his gaze darting between me and my brother. Comment est-ce qu’on le dit? How could I have forgotten ce mot? “Mm...mo…” the word is trapped behind my teeth,
I glance down at my half-eaten plate of chicken souvlaki, racking my brain for any remnant of the high school French vocabulary that I had believed to be useless.
For why would I need to know the word for “watch”
when I know the words for family, memory, and ocean?
At the other end of the table,
past the bottles of sparkling water and rosé
and the candles whose flames move
like the ripples of the Mediterranean Sea,
The adults wonder how they could have grown up so fast, how they now have kids who are almost grown.
They reminisce about their own high school days in Belgium, about the first time they encountered my mother,
the American exchange student
who did not speak a word of French.
How is it that they now celebrate fifty years of life,
more than three decades of knowing each other,
almost ten years of watching their kids grow up alongside one another?
Their kids became friends without having to speak a word and now, years later, they hold a conversation that
dances between English and French.
The next generation, aged fourteen through twenty,
sits at this restaurant on this tranquil island
as the time approaches midnight,
helping each other brush up on the second languages
that their parents were so eager to teach them.
C’est pour ça que je suis ici, à ce moment,
trying to remember the word for a watch.
But as I turn my gaze away from the scene
at the other end of the table,
the boy who is no longer seven years old
reminds my brother and me, who are no longer six years old, that though we may know the words, famille et souvenir et océane,
the word for a watch
is une montre.
Art Winner: “Fill the Fence,” Artist